Robert Bresson, one of the most important names in classic French cinema, is often overshadowed by the New Wave filmmakers who followed in his footsteps. His filmography is often unjustly relegated to the confines of film studies classes and the shelves of Criterion DVD collectors. The TIFF Bell Lightbox hopes to bring new eyes to Bresson’s work by featuring all thirteen of his films in a retrospective called The Poetry of Precision: The Films of Robert Bresson. Continue reading
There are some corners of the cinema landscape I am woefully blind to. One such area is Soviet-era science fiction from the Eastern Bloc. American sci-fi from the same period is quite popular, with films like War of the Worlds and Invasion of the Body Snatchers playing heavily on Cold War anxieties. The only Soviet science fiction films I’d even heard of were those of Russian director, Andrei Tarkovski. Solaris in particular is quite famous, but even that I’ve never seen. Even if I wanted to get into these films, where would I begin? Luckily, the TIFF Bell Lightbox is here to help us out. Continue reading
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