The Internet can be a confusing place. This guide will help you safely express pre-approved opinions about your favorite video games.
Pixels has more respect for classic video game characters than it does for women, and that's a much better reason to hate the film.
Eric and sits down with Mare Sheppard and Raigan Burns of Metanet Software to talk about N++, the fast-paced puzzle platformer about a Ninja that explodes while navigating a minimalist sci-fi world.
The free version of Driveclub technically offers value, but it's an unwelcoming mess that's unlikely to turn new players into paying customers.
Eric and Jon reflect on the unique career and accomplishments of Nintendo President Satoru Iwata.
The President carried a timeless optimism throughout his tenure at Nintendo.
Batman doesn't kill, but the debate over Rocksteady's Arkham Knight is a reminder that saying something doesn't necessarily make it true.
Eric and Jon do some spring cleaning while discussing Bloodborne, Hohokum, Captain Toad, Cities: Skylines, and Metal Gear Solid: Ground Zeroes.
The brilliant Her Story is proof that the most logical path doesn't always lead to the best version of the tale.
Eric and Jon discuss Tale of Tales and the support structures for artistic games, as well as Her Story, Sense8, and Spin the Bottle (sort of).
The unique new film from Blast Theory will be streamed to the theatre in real-time from the streets of Toronto.
The City of Toronto is wasting public money and discouraging cultural development. Here's what you can do to stop it.
Eric and Jon recap E3 and can't agree on anything. Jon also regrets a few of his recent life decisions.
This year's press conferences were the best in years because they emphasized games rather than technology.
E3 still loves a good military shooter, but 2015 gave us a glimpse at a more diverse gaming future.
Just how bad are Eric and Jon's belated E3 predictions? Listen in as they pioneer new ways of being wrong.
What's that? E3 is next week? Oh well. We still stand behind every one of these foolproof predictions.
The antagonistic director has done nothing to earn the respect of audiences no matter how much he thinks he deserves it.