Ex Machina is a high concept film about genius, obsession, lust, love, and violence. It’s a sci-fi thriller in an Asimovian vein, delving deeply into notions of identity while remaining accessible and entertaining.
Danny Collins has the makings of something terrific, but it doesn’t quite reach the heights to which it aspires.
Gene Cernan is the subject of Marg Craig’s documentary Last Man on the Moon. They were in Toronto to discuss the film as part of The Bloor Cinema/HotDocs’ “Doc Soup” series, our conversation was wide ranging and at times deeply moving.
Furious 7 makes no bones about what it is and delivers on everything we've come to want from one of the most preposterous, unnecessary yet thoroughly enjoyable series in film history.
The Last Man on The Moon looks back at the Apollo program through the eyes of Eugene Cernan, an astronaut who is still very much alive but is of an era that is not. This is a thoughtful doc that's worth the trip to the cinema.
Our newest critic writes about how seeing The Wonders outside the competition and chaos of the Cannes film festival, where it won the Grand Prix, actually changed the strange rural tale for the better.
Dustin Hoffman talks to us about what he looks for in a director, who he'd still like to work with, his new film Boychoir and what burger place he took the cast and crew out to while shooting.
The Gunman stars Sean Penn as a sniper in a film that feels past its prime. Despite a stellar supporting cast including Javier Bardem, Idris Elba and Ray Winstone, the only thing on mark is the aim of the protagonist.
We spoke with Jack O'Connell about his performance in the breathtaking '71 and how from his experience, the best films are the ones that hurt the most.
In a season notorious for film famine, a decent fast food action flick can taste like cinematic steak, which is why our newest critic ate up Run All Night.