Moana marks another step in the right direction for Disney's revamped animation studio.
We spoke with Elle star Isabelle Huppert about bringing the character to life, working with Paul Verhoeven, and about movies that continue to drive her own passion.
Master filmmaker Paul Verhoeven discusses his controversial new film Elle, the power of Isabelle Huppert, and the abortive attempts to make the provocative movie stateside.
Bolstered by Isabelle Huppert’s magnificence, Elle is simply astonishing.
Loving is an astonishingly humanist film, one that drops bombast in favour of a cool, concise storyline.
Arrival is one of the most extraordinary, affecting films of the year, a delicate balance between intellect and passion, finding ways to entertain while opening one’s mind up.
Congratulations Mel Gibson, you've made a slightly better Passchendaele.
Rachel McAdams talks to Jason Gorber about being the 'normal' in Doctor Strange and what's on her Dork Shelf.
Jason Gorber sits down with Moonlight director Barry Jenkins and stars Trevante Rhodes and André Holland to discuss their extraordinary film.
The bland Inferno is a waste of time that goes to extreme lengths to keep its secrets hidden.
Is Jack Reacher: Never Go Back meant to be an ironic title?
Snakes on a plane probably sounds like a vacation to the characters who must suffer through zombies on a train in Train to Busan.
The Accountant has all the pieces of a fun puzzle, we just never get to see the big picture.
We reviewed the window Emily Blunt's character gazes out of in The Girl on a Train because it was much more interesting than the film itself.
Operation Avalanche is a few missteps short of a masterpiece.
Deepwater Horizon is a thrilling mix of real-life drama and '70s style disaster movie.
It’s hard to match up to masterpieces, but The Magnificent Seven is still a fun ride through the wild west.
JGL dropped into Toronto for the premiere of Oliver Stone's Snowden and we had the opportunity to chat with him.