This week on Gotham, a new enemy emerges: expository dialogue. Meanwhile, Penguin runs away with an episode named after the once and future Catwoman.
Jack Nicholson's Joker said it best: "This town needs an enema."
Hemlock Grove star Famke Janssen on ripping out hearts, singing karaoke, and the transformative second season of the Netflix horror series.
The Genesis classic that misguidedly sacrificed story for the sake of value.
Sonic's slow slide into irrelevance began when he first got upstaged in his own franchise.
Orange is the New Black’s Taylor Schilling and Uzo Aduba shed some light on what’s really important in a show that’s more substance than superficiality and shoes.
In search of the true face of the storied Metal Gear protagonist.
Doing justice to its title, the Game of Thrones season finale passes the torch to the next generation of throne-gamers: “The Children” have finally ascended to vitally important roles, no longer playing the victims to the machinations of their parents. Happy Father’s Day!
The power of “The Watchers On The Wall” is that, after 38 episodes of being told again and again that good people are weak because of their codes, we are finally shown hope in the most unlikely of places.
“The Mountain and the Viper” is about history. Some people dwell on the past and worry, others look back and find identity. One specifically unfortunate man has allowed his past to fester, making him prone to a mind-crushing lust for vengeance.
Say what you want about Seth MacFarlane, that man can write a “guy pooping into a hat” joke that’ll really make you think. But unfortunately, too much of A Million Ways To Die In The West is oddly serious and laugh-free.
Hannibal is a show about the pain of empathy, and "Mizumono" hurts. The finale brings the Ravenstag story arc to a conclusion in a brutal way.
The documentary 112 Weddings is misleading in a number of ways. It's nothing more than a vain waste of time.
When it comes to understanding exactly what to expect from Hannibal, the two most important characters are symbolic representations of who Will Graham and the titular serial killer are not. At least not anymore.
“Mockingbird” is all about unfunny jokes: lies that are told to make sense of chaos and control the actions of others. Game of Thrones is not a funny show, but this episode illustrates that it still has a use for humour.
“Tome-Wan” is Hannibal at its most distilled and sustained. Showcasing the series’ underlying dark humour, this is the tightest, most mesmerizing hour of the series. To use the words of Mason Verger: I am enchanted and terrified.
Game of Thrones: The Exhibition returns to the Bell Lightbox for the show’s fourth season. A virtual tour of The Wall, props from the Purple Wedding, and the hidden contents of a box make Westeros feel more real than ever.
“The Laws of Gods and Men” sticks with the season’s contemplative pacing, taking inventory of its characters past deeds while demonstrating how much catharsis a well written and performed monologue can evoke.