The HD restorations of blaxploitation classics Blacula and Scream Blacula Scream are far more entertaining than they should be.
New Years Evil is more of a historical curiosity for horror fans than anything else, but it is still a damn entertaining and unintentionally funny trip down slash n’ kill memory lane.
Just in time for the Oscars, we reviewed the Blu-ray of the wonderfully audacious Birdman, which deserves a spot perched on the head of your collection.
A look at this week's blu ray releases of two movies that are extremely different yet brilliant in their own ways: Nightcrawler and Dumb and Dumber To.
An in-depth look at two films released by Criterion this month: Nicolas Roeg's essential Don't Look Now and Fellini's surreal Satyricon.
Fifty Shades of Grey tries to be controversial, but ends up being typical "romantic" Hollywood tripe dressed up in chains and whips.
Shout factory has put together a pretty sweet double feature with their blu-ray release of the Cage-tastic Vampire's Kiss, and Neil Jordan's more obscure horror comedy, High Spirits.
Disney opens in vault today to release 101 Dalmatians on blu-ray for the first time. Find out what our resident disc man Phil Brown thinks of the transfer and specs in his review.
Kenneth Branagh's 1989 breakthrough adaptation of Henry V is finally on blu ray, Phil Brown reviews this highly anticipated disc.
A look at the two latest Studio Ghibli films that Disney has brought to blu ray: Porco Rosso and Tales From Earthsea.
Gone Girl (David Fincher, 2014) – Based on Gillian Flynn’s best selling novel and directed by David Fincher, Gone Girl has all the hallmarks of an awards courting prestige movie on paper. Thankfully, their movie was nothing of the sort. It’s a gleefully trashy, twisty, nasty, lurid little thriller filtered through Fincher’s meticulous visual style […]
Co-directed by Martin Scorsese, the documentary The 50 Year Argument delivers the rich history behind the fabled New York Times Review of Books.
Boasting a script from Buck Henry and the best work Barry Levinson and Al Pacino have done in years, The Humbling might be the more rewarding (and somewhat more difficult) version of Birdman.
Sword of Doom (Kihachi Okamoto, 1966) – It says a great deal about the stark brutality of director Kihachi Okamoto’s Sword of Doom that even all these years and so many vicious samurai epics later, the film retains its ability to shock, disturb, and enthrall. Made during 60s heyday of samurai flicks launched into new […]
Lucy (Luc Besson, 2014) – Luc Besson’s Lucy is an absolutely insane attempt to fuse comic book action storytelling with grandiose philosophical pretentions. The writer/director has failed in his ambitions to be profound, but failed in such lovably ludicrous ways that his movie is almost more entertaining than it would have been if he had […]
The Guest (Adam Winguard, 2014) – The genre-loving writer/director team of Simon Barrett and Adam Wingard have gradually been easing themselves into the status of the best horror filmmakers of their generation. The Guest only confirms that title, while also pushing their style into other genres. Their partnership started with the brutal serial killer move […]
Men, Women, and Children (Jason Reitman, 2014) – Jason Reitman is a tough director to pin down. He clearly wants to be taken seriously and often attempts to dive into dark subject matter. Yet, he’s also a crowd-pleaser who tugs on emotions manipulatively and craves populist response/box office. So that leads to muddled movies from […]
Boyhood (Richard Linklater, 2014) – Boyhood has received a lot of free marketing and curiosity from its central stunt of filming a single actor over the course of 12 years to capture an entire childhood in a single feature. However, Richard Linklater’s latest is far from a parlor trick. It feels like a culminating, career-capping […]