Eduardo Sanchez (The Blair Witch Project) returns with the possession thriller Lovely Molly, a film that's fine enough until it starts feeling the need to explain every detail of what's going on.
We talked with co-creator of The Blair Witch Project, Eduardo Sanchez, about his latest film, the exorcism chiller Lovely Molly, as well as about the film that made him famous and the differences between making low budget productions then and now.
Feeling a bit like an unholy cross between The Royal Tenenbaums and Snatch, first time Canadian filmmaker Jonathan Sobol's A Beginner's Guide to Endings can pummel viewers with its style, and not all the jokes hit, but it establishes the director as one to watch in the future.
Equal parts ingenious, slow, and imperfect, director Nanni Moretti's We Have a Pope takes a genial, fictional look at choosing a new pope without resorting to high satire.
We talked to the director Jonathan Sobol about the Canadian indie A Beginner's Guide to Endings about the film's conception, it's stacked cast (including JK Simmons and Harvey Keitel), and his plans for the future.
If movies were judged purely on their level of forced quirkiness, then Jesus Henry Christ would be in the running for the best of the year. Thankfully, we don’t live in that world and this movie will be quickly forgotten.
Despite a wildly inconsistent tone and gags that don't always work, the core ideas behind TIFF 2011 audience award winner Where Do We Go Now are fresh and new.
If you’re only going to see one movie about vibrators this year, Hysteria should be at the top of your list.
Based on a bizarre true life crime from 1996, director Richard Linklater's coal black comedy and mockumentary Bernie stands as one of the best films of his already stacked career.
We talk to The Samaritan director David Weaver about how the noir films of his youth crafted his latest Toronto shot project, working with Samuel L. Jackson, and the fine art of crafting a film about a con.
We talked to Canadian character actor Kevin Durand about his latest role as a bank robber in the historical drama Edwin Boyd: Citizen Gangster, what it's like to play a lot of character driven roles, and about being able to adapt to filming in Sault Ste. Marie. Oh, and we asked him a tad about Cosmopolis.
The twisty sci-fi tinged mystery Sound of My Voice raises as many questions as it does answers, and despite a great performance from co-writer Brit Marling as an enigmatic cult leader, viewer enjoyment hinges on the ability to deal with large amounts of ambiguity well.
Director Tony Kaye's Detachment wants nothing more than to rip your guts out and make you feel like shit for 98 minutes… in a good way. It’s a sort of emotional horror movie for educators. It might ruin your day to watch the movie, but at least it feels like the harsh experience was done with a purpose, even if Kaye’s execution is somewhat muddled.
An almost old fashioned, slick, and sometimes icky thriller, the Norwegian import Headhunters doesn't reinvent the wheel, but it's aimed squarely at an appreciative adult audience.
Dork Shelf recently had the chance to speak with Norwegian director Morten Tyldum about his new film Headhunters. He discussed the challenges of making the screen adaptation his own, the logistics of shooting in an outhouse, and his new American sci-fi thriller What Happened To Monday?
We look at and review some of the unsung heroes of the Hot Docs International Documentary Film Festival, the shorts.
Aardman Animation, the creators of Wallace and Gromit and Chicken Run, bring you The Pirates: Band of Misfits, a giddy sugar rush of British animated entertainment.
While certainly impressive, the North American cut of the originally 5 hour long Taiwanese epic Warriors of the Rainbow: Seediq Bale leaves a lot to be desired in the storytelling department. There are, however, plenty of decapitations.