I really don’t like remakes. Like many film fans, I believe that they should be avoided at all costs, particularly when they are Hollywood remakes of excellent foreign films. However, Hollywood being what it is, remakes are inevitable. So when I heard that there were plans to remake the excellent Swedish film Let The Right […]
The Social Network is a movie that shouldn’t work. It’s a story about a socially challenged, bitterly abrasive geek and how he created a high-traffic website. Hardly the stuff of Oscars or summer blockbusters. Thing is, in spite of this, the movie plays out just like the typical Facebook experience – hard to see what all the hype is about from the outside, quickly captivating at first, then totally engrossing from within.
John Lennon is undoubtedly the most iconic of The Beatles, and his mythic status was solidified by his murder in 1980. But the man and the music should be separated, and while his music post-Beatles was arguably better, Lennon and McCartney together proved that the sum is often better than the parts. Photographer Sam Taylor-Wood, in her feature directorial debut Nowhere Boy, takes the audience back further, to Lennon's teenage years, his discovery of music, first meeting with McCartney, and his tumultuous familial relations.