Tag Archives: Japan

A Beginner’s Guide to Studio Ghibli

March 8, 2012

SPIRITED AWAY
THE FILMS OF STUDIO GHIBLI
TIFF Bell Lightbox | March 10 to April 13, 2012

This March 10 to April 13, Toronto’s TIFF Bell Lightbox presents “Spirited Away: The Films of Studio Ghibli,” a retrospective of Studio Ghibli, the legendary Japanese animation studio. Newly-struck 35mm prints of fifteen of the studio’s most beloved films will be screened in both Japanese with English subtitles (S) and dubbed English (D).

If you are unfamiliar with Studio Ghibli, we’ve written up a handy “Beginner’s Guide” below!

What is Studio Ghibli?

Studio Ghibli, Inc. is a Japanese animation and film studio based in Tokyo, Japan. It was founded in 1985 by directors Hayao Miyazaki and Isao Takahata and producer Toshio Suzuki after the success of their 1984 film Nausicaä of the Valley of the Wind. The studio has mainly produced films by Miyazaki, but also those of Takahata, Yoshifumi Kondo, Hiroyuki Morita, and Gorō Miyazaki, Hayao’s son. In 2002, Hayao Miyazaki’s Spirited Away won the Academy Award for Best Animated Feature.

Often referred to as the “Disney of Japan,” Studio Ghibli is distributed internationally by the Walt Disney Company and maintains strong creative ties to Walt Disney and Pixar Animation Studios. John Lasseter, the Chief Creative Officer of Pixar, calls Hayao Miyazaki not only a longtime friend but also “the greatest animation director living today.” Much like Pixar, Studio Ghibli enjoys critical adoration, box office success, and a near-perfect reputation.

The films of Studio Ghibli and, particularly, Hayao Miyazaki are celebrated for their universal, affecting, fantastical storytelling; their strong, young heroines; their reverence of the environment; and the stunning aesthetic of their animation.

What Studio Ghibli Films Should You See?

If you only buy one ticket to “Spirted Away: The Films of Studio Ghibli,” it should undoubtedly be the film TIFF Bell Lightbox chose to represent its retrospective, Spirited Away.

Spirited Away [dir. Hayao Miyazaki, 2001]

Winner of the 2002 Academy Award for Best Animated Feature, Spirited Away is the perfect example of everything Studio Ghibli gets right. The story is simple — a young girl is separated from her family — and, simultaneously, insane — her parents are turned into pigs. Chihiro, the film’s protagonist, is as charmingly naive and overly-respectful as she is clever and tenacious. Studio Ghibli never skimps on the personalities of their heroines, and Chihiro is no exception. As she searches for a way to reverse what has happened to her parents, the adventure had by Chihiro in Spirited Away is endlessly memorable, featuring some of the most creative animation produced by Studio Ghibli. Spirited Away is, easily, one of the greatest animated feature films ever made. Actually, that sentence does not need “animated” as a qualifier; It’s one of the greatest feature films full-stop.

Screenings: Sunday, March 25 at 7p.m. (S), Sunday, April 1 at 7 p.m. (S), Saturday, April 7 at 1 p.m. (D)

If you have seen Spirited Away and enjoyed the film, below are recommendations of other Studio Ghibli films playing at TIFF Bell Lightbox based on age-appropriateness (though like Disney and Pixar, Studio Ghibli films can be enjoyed at any age!):

Seven (7) Years Old and Younger:

My Neighbor Totoro (dir. Hayao Miyazaki, 1988)

Though somewhat light in content for those familiar with Spirited Away and Studio Ghibli’s more ambitious films, My Neighbor Totoro is a nice entry point into Studio Ghibli for younger viewers. It follows two young sisters and their father as they move into a house that may be haunted by spirits. My Neighbor Totoro, instantly recognizable, also provides the image for Studio Ghibli’s logo with the titular character Totoro.

Screenings: Tuesday, March 13 at 10:30 a.m. (D); Wednesday, March 14 at 2 p.m. (D) and 6:30 p.m. (S); Saturday, March 17 at 1 p.m. (D); Sunday, April 8 at 12:30 p.m. (D); Monday, April 9 at 6:30 p.m. (S)

We Also Recommend… Ponyo (dir. Hayao Miyazaki, 2008)

Eight (8) to Twelve (12) Years Old:

Kiki’s Delivery Service (dir. Hayao Miyazaki, 1989)

The ultimate realization of precocious preteen female fantasy, Kiki’s Delivery Service, a film which promotes self-confidence, should really be distributed by the government prior to junior high school. Kiki, a thirteen-year-old witch, leaves home for a year with her talking cat as a rite of passage and runs a delivery service to pay for room and board while developing her magical powers. If you (or your favourite precocious girl-child) enjoy Kiki’s Delivery Service, you may also enjoy the television series Cardcaptor Sakura by CLAMP, another animation juggernaut in Japan.

Screenings: Thursday, March 15 at 1 p.m. (D); Saturday, March 17 at 10:30 a.m. (D); Monday, March 19 at 6:30 p.m. (S); Saturday, April 7 at 10:30 a.m. (D) and 4 p.m. (S)

We Also Recommend… Castle in the Sky (dir. Hayao Miyazaki, 1986)

Thirteen (13) to Seventeen (17) Years Old:

Nausicaä of the Valley of the Wind (dir. Hayao Miyazaki, 1984)

Establishing the Japanese animated feature film as an artistically credible work, Nausicaä of the Valley of the Wind is an accomplished allegory whose success cemented the career of its director, Hayao Miyazaki, and led to the founding of Studio Ghibli. In the film, Nausicaä is a warrior princess of the Valley of the Wind, one of the last safe ecosystems in an otherwise lethal “Toxic Jungle.” She soon finds herself in the middle of an apocalyptic war between the Tolmekia, a kingdom that tries to use an ancient weapon to fend off an insect race called the Omhu. Nausicaä of the Valley of the Wind proves that Studio Ghibli’s now iconic touchstones — strong female protagonists, respect for the environment, inventive animation, and fantastical storytelling — were strongly present at the studio’s conception.

Screenings: Saturday, March 10 at 10:30 a.m. (D); Monday, March 12 at 2 p.m. (D); Thursday, March 15 at 3:30 p.m. (D); Saturday, March 17 at 7 p.m. (S); Sunday, April 8 at 6 p.m. (S); Friday, April 13 at 6:30 p.m. (S)

We Also Recommend… Whisper of the Heart (dir. Yoshifumi Kondō, 1995)

Eighteen (18) Years Old and Older:

Howl’s Moving Castle (dir. Hayao Miyazaki, 2004)

Nominated for the 2005 Academy Award for Best Animated Feature, Howl’s Moving Castle maintains the fantasy and friendliness of Studio Ghibli’s previous films, but steps forward, approaching themes of jealousy, covetousness, vanity, and prejudice that all seem a bit beyond the audience of My Neighbor Totoro. Howl’s Moving Castle‘s protagonist is a beautiful young woman named Sophie who encounters Howl, a notorious flirt and feared wizard. Jealous of the brief affection Howl showed Sophie, an evil wizard curses her, turning Sophie into an elderly woman who could never be loved by the vain Howl. On paper, Howl’s Moving Castle sounds like a straightforward love story, but Studio Ghibli infuses the narrative with surprising complications, both physical and emotional, and imperfect characters who don’t hit the notes of a love story in quite the order you’d expect.

Screenings: Saturday, March 31 at 10:30 a.m. (D)

We Also Recommend… Princess Mononoke (dir. Hayao Miyazaki, 1997)

TIFF Bell Lightbox’s “Spirited Away: The Films of Studio Ghibli” also includes the films Only Yesterday, Porco Rosso, The Ocean Waves, The Cat Returns, My Neighbors the Yamadas, and Pom Poko. The retrospective runs March 10 to April 13, 2012. Tickets can be purchased in person at the TIFF Bell Lightbox box office or online.

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TADFF 2011: Redline Review

November 1, 2011

Redline isn’t about nothing, but it isn’t about much. Nothing stops Redline from hitting goals. Nothing stops Redline from victory. Redline is so ferocious and unwieldy that it’s too dangerous to be bound in your hands, it’s too fast for the qualms of plot or logic. It can’t slow down. The wonderful thing about animation is that it’s a world from scratch, created only by the pen instead of constructs of likelihood. Redline is its own universe, and it rockets through it so fast you’ll miss planets if you blink. Continue reading

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Catherine Review

September 2, 2011

Catherine is a bit of a legacy project from the Persona Team, but they don’t drag any Persona iconography kicking and screaming into it. There are no zombie dogs, Pyramid Head or pretty pan blonde boys with goofy swords. Catherine‘s pastiche is conjured from scratch. And that’s one hell of a reason to start a steamy affair. Continue reading

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Godzilla #1 Review

April 12, 2011

Worst comic read ever! Not that this was a surprise though, given that one of my rules for deciding if I should buy a new comic title is to see how many/how ‘big’ it’s variant covers are going to be. The more variant covers linked to an issue, the worse the read usually is. And IDW’s Godzilla variant campaign was epically huge! Continue reading

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5 Ronin #1 Review

March 5, 2011

5 Ronin is a new mini-series, being released in weekly succession, which reinvents five of Marvel’s most popular characters in 17th century Japan. This is an out-of-continuity tale, in the same vein as DC’s Elseworlds line, or Marvel’s 1602. Continue reading

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This Week in Dork: February 13 – 19

By Dork Shelf
February 14, 2011

This Week in Dork is a new feature that will attempt to encapsulate all of the dorky events happening in and around Toronto every week. Sure, “This Week in Geek” sounds better, but there’s a little thing called copyright which prevents us from calling it that. Here are some of the highlights: Continue reading

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Free Friday Films: Satoshi Kon Night – Paprika & Paranoia Agent

By Dork Shelf
February 7, 2011

Cinema Studies Students Union Free Friday Films present Satoshi Kon Night – Paprika & Paranoia Agent. Come out on Friday for a tribute to great Japanese auteur Satoshi Kon: Continue reading

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Fist of the North Star: Ken’s Rage Review

February 2, 2011

Entry after entry Dynasty Warriors seems impressively dedicated to never, ever changing, no matter how much other games have progressed. But now Koei is moving on to new blood: Fist of the North Star: Ken’s Revenge. And oh, blood there is. Kenshiro and his brutal Hokuto Shinken style have been bred to tally up a body count that would make Lu Bu envious, but is that what Koei needs to devastate this time around, or is life a privilege something this game does not deserve? Continue reading

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Toronto Reel Asian Film Festival Starts Today

November 9, 2010

The 14th annual Toronto Reel Asian International Film Festival starts today and runs through November 15th. The festival is Canada’s premier pan-Asian film festival, showcasing the best in Asian and Asian-Canadian cinema. Reel Asian also hosts a number of industry panels, as well as events for film fans. Continue reading

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Toronto Reel Asian International Film Festival 2010

By Dork Shelf
November 9, 2010

The 14th annual Toronto Reel Asian Film Festival is Canada’s premier pan-Asian international film festival, fostering the exchange of cultural and artistic ideals between east and west. It provides a public forum for homegrown Asian media artists and their work, and fuels the growing appreciation for Asian cinema in Canada. Continue reading

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TIFF 2010
13 Assassins Review

September 19, 2010

Takashi Miike is not known for his subtlety. When his film Ichi the Killer premiered, the audience were given vomit bags (several of which, apparently, were used.) He is also one of Japan’s most prolific filmmakers, often churning out more … Continue reading

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TADFF 2010
RoboGeisha Review

August 22, 2010

When a new film is being made by the same group who gave us the camp hits Tokyo Gore Police and Machine Girl, the purchase of your ticket is like an informal contract that you are basically down with whatever … Continue reading

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