Ubisoft's Mario + Rabbids Kingdom Battle is a bold reinterpretation of Mario that makes the case for more outside-the-box thinking.
Was the Marvel Universe TV team-up series The Defenders worth the wait?
Indie thinking is finally starting to trickle up to triple-A developers.
With limited online features, Super Mario Maker 3DS is a lame duck port that is destined to be obsolete.
Three years after its initial release, Will O'Neill's Actual Sunlight remains a harrowing depiction of depression.
Despite a lackluster season finale, the slasher spinoff is frightening because it remains grounded in reality.
What does it mean when a game studio makes a game you're not expecting?
Abetted by director David Ayer, the actor's method approach to The Joker helps explain where Suicide Squad went awry.
Contrary to popular opinion, Rare is still one of the best game developers in the business.
The upcoming Suicide Squad is a reminder that villains get to have all the fun.
VR trivializes important subject matter when it calls attention to the technology rather than the material.
Despite its flaws, the new LEGO Star Wars succeeds because it reminds you of things you love.
After years of misery, Battle of the Bastards is the surest sign yet that Game of Thrones has finally turned a corner.
Sony's E3 press conference was a good reminder that content always comes first when it comes to gaming.
Warcraft is a great looking adaptation that occasionally forgets to be a movie and not a video game.
The 2016 version of Doom is the rare video game that makes its violence feel righteous.
Star Fox Zero once again proves that motion controls don't always make games better.
Batman v Superman: Dawn of Justice is a perplexing combination of source material and director.